guitarist rolando bruno hails from buenos aires and got his start playing a raw brand of garage and punk with his band los peyotes. a few years back he took a step into the not-so-distant world of afro-peruvian psicodelico that s had a recent renaissance throughout south america. what made his early forays into a more tropical branch of fuzz so unique was his accompanying band-or lack thereof. armed with an electric guitar and self-produced and recorded backing tracks, rolando bruno and his orquesta midi jet-setted across europe and japan as a mad scientist one-man band, laying down a relentless style of chicha classica gone loopy that earned him several tours and a full-length album with the swiss imprint, voodoo rhythm. originally recorded in 2011 and now remastered and presented by names you can trust on vinyl for the first time, these two tracks are a glimpse into rolandos prolific electric madness and a lysergic-laced pointer towards things to come from the talented six-stringer.

restored and re-mastered from the original tapes comes gigi masins much sought after first album wind. never commercially released the lp was in fact only given away at a number of small concerts, with many of the remaining copies destroyed during floods in the venice based musicians house. quickly becoming seen as something of a landmark ambient album in recent years, ‘wind is now lovingly presented again in its entirety. true to its original private issue it is once again being made available through gigi masins very own the bear on the moon records.

the hidden meaning of number 13 is change, the death of something and its rebirth. this is the idea behind gabriel dor & bordoys new album 13, which is meant to be a turning point on their career. influenced by old school techno but also by modern sounds, after 6 years of production partnership, theyve decided to release their first entirely unpublished lp. the album, made out of 13 cuts, starts with a dark intro that paves the way into a forceful kind of techno, followed by vintage sounds with gloomy touches and sometimes even emotional ones. they have used many instruments and samples discovered along the way on this composition process, plus lots of others found in the previous years. the sounds put together on this album have been carefully picked to preserve their uniqueness, while trying to walk on a different path.

floating astronomical objects and the void in between – jon hester enters the dystopian circle with four gravity manipulating techno tracks coming directly through the wormhole. jon hester got his start in the midwest us, living in chicago, minneapolis, and connecting with detroit. after years on the dance floor he took to the decks, going on to work in a record shop, host his own events, and hold residencies that developed his sound. music production and a move to berlin followed, but dancing and mixing are still the inspirations that drive him to create. his dj sets are built on physical rhythms and adventurous programming, effortlessly combining diverse varieties of techno and house. with an engaging presence and a knack for telling a story, he builds a unique connection with each audience, and works any room until it sweats.

the true techno dream team of dubfire & oliver huntemann revisit their elements project from a few years ago with a new series of killer remixes, ahead of a retrospective album coming later in the year. terra - originally released in 2011, did all sorts of damage to dance-floors across the globe. now, its all set to do it again thanks to this joseph capriati remix. the italian techno headliner has grown into a major force on the scene in recent years, and here delivers a signature slice of muscular, driving techno - taut, dramatic and devastating. paired with a remix of the now seminal feugo julien jeweils remix also hits the spot - the track received a 2016 overhaul with some of jeweils signature flair. the frenchman has been a constant figure on the top of various charts and line ups for some time, and its easy to see why - fuego is stripped back machine funk primed for big systems and even bigger moments.

after showcasing the debut releases from the high on wye quintet (magic mountain high, soulphiction and steevio) and monoak, the freerotation label returns with a various artists 12” featuring four more artists intrinsically linked by the annual festival. anthony child, aka surgeon, has been a regular fixture since first appearing at freerotation in 2011. his recent exploration of modular synthesis and use of the buchla music easel has found a home in the ambient yurt at the festival, and equally has manifested in album projects such as 2015’s electronic recordings from maui jungle vol 1. “unconscious fearless determination” follows on from this more experimental, less dancefloor-focused side to child’s work, while still pulsing with the techno fundamentals that quickly defined him back in the mid ‘90s. duckett hails from north wales, and has been a key part of the freerotation fabric since the beginning of the event. after some releases on mindtours, mindyourhead and sthlmaudio back in the mid-‘00s, his music has started to reach a new audience through releases on untilmyheartstops and a clutch of lauded live performances. “breaks my heart when i remember that day” captures the alien synthesis and emotional heft that singles duckett out as such a remarkable artist. steevio is the co-founder of freerotation and mindtours records, responsible for a huge swathe of techno releases reaching back to the ‘90s. as well as his releases on mindtours, he has recently appeared on untilmyheartstops and in collaboration with pev on schmorgabsord, and is set to appear on russ gabriel’s new label rivers of groove. with its expressive swells of off-kilter melody and snaking drum lines, “pendulum” continues the thread of exploration steevio has been following on his journey into experimental modular techno. tom ellis has been prolifically issuing forth material in a soul-enriched space in between house, techno and funk for more than ten years. from running the acclaimed trimsound label to releasing albums and singles on telegraph, archipel, hartchef discos and more recently ethereal sound to name but a few, tom’s recorded work and immersive live performances continue to reach out to new moods and timbres. “as a take” finds tom at his most reflective, layering on dubby effects and organic instrumentation in a truly meditative end to the ep.

makam with a taste of things to come as he flips the sound pallete for his latest 12- on dekmantel. housed in a plastic outer sleeve with postcard insert. tip! dekmantel say- we re rubbing our hands together gleefully for this one: longtime family member makam will return to dkmntl records with a full-length album later this year. guy blanken s ongoing search for new sounds, textures and rhythms has lead him to than sadet, a stunning piece of work that’s like nothing you ve heard from the the hague based producer before. we have known this ultra-talented chap for years, but it’s fair to say than sadet is his most impressive and distinctive work to date. this sampler is a sneak peek into what is about to be an absolute label highlight, a prelude to the new makam sound. riding high is a lush, isolee-esque lengthy house jam, and the blissful ambient ride backed up by tropical birds than sadet gives more insight into the new territories blanken has been digging into. you ain t heard nothin yet. -

jumpmono records is back with the next instalment of vinyl/digital mayhem! this time we welcome the super talented italian techno brothers, mr. bizz, with their superb single crescendo. mr. bizz have been making some serious noise across the techno scene over the past few years with their releases landing on labels including, cocoon, sci+tec, octopus, suara and many more... so it was inevitable that we would invite them to release on jumpmono. first up on remix duty is techno legend, koen groeneveld, who provides a powerful peak time monster. the second remix comes from none other than alex di stefano, with his amazing, harder techno sound. the third remix is a huge techno slammer and comes from holland s incredibly talented, steve mulder.

figure spc inevitably arrives at the alphabets last letter and therefore the end of what has been a most prosperous runtime and success story. already accountable for its first release a seven years ago, jeroen search has proven essential to the sublabels course with his many cornerstone contributions. this final, special extended release grants him the ample scope to tell the closing chapter in all proper detail. spread across two fully packed 12inches the dutch veteran producer wastes no time but lets his ever evolving array of machines do the talking.

j. albert returns to exotic dance records with 4 tracks from last years dance slow cassette, here getting the wax treatment for the very first time.

what difference does it make, whether it s 20 minutes or 20 years, since neither amounts to the faintest echo of the tiniest whisper in the thunder of time.

with almost 50 digital releases in the space of 8 years, it s about time we gave the vinyl junkies what they want: lazerslut on wax. an intense studio period recently took place and the three originals on this release come straight from the obscure soul of miro, a genius mind backed by two decades worth of music production experience. the ep comes topped with a remix by troy pierce.

this is the phase ii ep of leo anibaldi variations. after evocation ep with sebastian mullaert (minilogue) realized on cannibald records, for the a side leo has proposed markus henriksson (minilogue) to create a new version of (always from reality) a track coming from the album cannibald realized in 1992. for the b side leo has involved donato dozzy to create a new version of aeon fusion 1 (1994) wich is a very particular tracks for thoose years considered by the statistics as one of the key tracks before the advent of dub dark techno music. the project will be out 1st july on cannibald records strictly on vinyl.

gouru is launching its own label, submersive, with an ep from brendon moeller aka. echologist, including a remix from french duo hbtvsk (voiski & heartbeat).in 2014, to celebrate the 4th birthday of the webzine gouru, brendon moeller and hbtvsk were invited to play at la machine du moulin rouge (paris). following a car accident on his way to the airport of new york, brendon was unable to appear and play. to make up for this unfortunate incident, gouru offered brendon the inauguration of its new label submersive, and invited heartbeat & voiski aka hbtvsk, the duo he was supposed to share the stage with, to remix one track. 2 years later, the first ep of the label gathers all 3 artists who were not able to share the decks on stage, on the same record. as brendon himself says , “all good things take time” and instead of evoking the nostalgy of a party that did not happen, the record opens the doors of the imagination and takes us to a powerful collaboration between 2 artists’ generations, thereby showing us the techno scene at its best.zur opens the ball and sets the tone of the ep, a dub and progressive rise, based on a cyclic structure, punctuated by a random reverb. tension is maintained throughout and finally leaves room to filth, whose rhythm is faster, unrestrained, yet keeps an air of suspense and unpredictability - the perfect soundtrack for an exhausting race. looking for trouble plays on a more hypnotic side. with a dark yet electrifying atmosphere, rhythms are exalted by a strident and piercing melody, evolving alongside uncontrollable sounds, throwing us straight into a cosmic trip. faithful to the spirit of the ep, the filth remix delivered by hbtvsk is a perfect exercise of style. without denaturing the original track, the remix revisits it. its’ heavy, powerful mechanism is, at the same time, accurate and sharpened. certain parts of the original track are easily recognizable, which finally get lost in the subtle gearwheel of an anthem tinted by noise.

magic source is a project led by producer björn wagner (the mighty mocambos, bacao rhythm & steel band, mocambo records), who is renowned for creating an authentic and hard-hitting raw funk sound. following a few acclaimed single releases on favorite recordings over the past few years, the french label deeply wanted to collaborate further with the german combo, for a special and exclusive project bringing their music on new paths. this new project is a step towards a new style: analog-electronica, or so called cosmic-disco sound.

following on from last years exceptional ‘obsession ep’ from art crime is a budding young talent by the name of will lister. originally from lyme regis, will moved up to london to attend goldsmiths university and in his spare time he helps us out behind the counter here at the shop. when he’s not here at the shop you can also hear him playing records on his balamii radio show or his monthly club night, ‘the aten’. ‘the phantom ep’ is his production debut and we’re extremely happy to be putting it out on our main imprint. the title track opens up the ep with heavily reverbed pads, echoed claps, crunchy percussion and repetitive synth stabs that all work together to create spaced-out atmosphere that’s full of twist and turns. flipping over to the b-side, ‘after the light’ picks up the pace with a driving high-hat rhythm and full-bodied kicks that underpin warm piano keys and smooth synth lines. ‘agency’ closes proceedings by turning up the intensity to full with a masterclass in building tension.

moustache x = only hits for those who want to be credible. don t play this under 15 years old.

black country overlord justin k broadrick (jesu, godflesh) blesses regis’ downwards fiefdom with two tracks and a tightly sprung rework by surgeon. downwards have really picked the foulest iterations of a grim set for vinyl release, inscribing the industrial-strength torque of nothing is free - which sounds like early kode 9 battered by shapednoise - at 45rpm across the front face, and branding the knuckling 808 snares and distended electro bass blow out of kontorted on its backside. surgeon’s remix of the title tune ranks among his best in many years. trace elements of the original are extruded thru modular kit and remodelled on a bouncing, swerving techno chassis recalling bmb and cub classics, but streaked with sirens and vamped by a marching brass refrain that’s just spoiling for war. the release marks a long overdue overlap between downwards’ and broadrick’s interrelated industrial, noise and techno circles. broadrick was the original drummer for napalm death on their scum (1987) album, before forming the legendary godflesh, and carving out an oeuvre as one of the most feared and respected musicians to emerge from birmingham and the uk ever since.

not too long ago a jiffy bag arrived at parkwest hq. in it was a scratched tdk case with a sa-x tape containing a musical message from years past, simply marked the tape i lost! we sat and listened, able to pinpoint influence and reference but yet hearing something totally new. that this tape surfaced and made it across the years and the miles to us was fortunate. when the synth part came through clear on a later version on the tape, allowing us to remix then it became destiny. emotion, melody and rhythm will always be timeless and these tracks, selected from that tape, are as relevant today as they ever were.

the first sketches from an island album garnered support from a diverse set of trailblazers. from gilles peterson to trevor jackson, boiler room to pitchfork, mark barrott has become an unlikely hero for balearic music after only a few short years living in ibiza.
the double vinyl release (side 4 is etched) comes in a gatefold sleeve with download code included.

after their first (very) successful album, cassius decided not to rely on their natural ability to make us dance to their groovy basslines, and came back with a daring project: integrate some mostly african-american influenced singings in their compositions to give electronic music a new dimension.don’t worry,the catchy-rythmic sound of cassius is still here. you might recognise the voice of ghostfacekillah, one of wu tang clan’s members that delivers a punchy performance on the upbeat tempo track “thrilla-, as well as steve edwards, the house music singer who sang with swedish producer axwell, and who’s also known for having lent his voice to bob sinclar on the famous “world, hold on-. we’re releasing the album once more, so that you can get back into the fabulous swing of cassius.

i’ll be honest, i had forgotten about samuel jonathan johnson until i heard theo parrish play it recently. i used to spin the lp years ago but my copy got lost or beat. soon as i heard it i made a call and sorted out the 45, just an amazing solid groove on sweet love, you cant help but feel it. the flip reasons, is the other great track from the same columbia lp my music. first time on 45 for both of these, once they are gone that is it. disco essential!

st. petersburg talent ivan latyshev drops a killer ep on the ever-dependable dessous recordings. ivan has been making waves over the past couple of years with his distinctive brand of deep, groove-heavy house music on labels such as what’s in the box, street king and spaghetti monster - but this to my youth ep sees the young russian step up to another level. the title track shows a deep affiliation for classic house vibes, mixed with some jazzy flourishes and swung grooves. the sense of euphoria is tangible, and the spoken word vocals add a level of house mysticism that will be always welcome on deeper leaning dance-floors. cant go away goes a shade deeper still, bringing layers of delay and reverb to the track that help shape a true slow burner. old ages also highlights ivan’s love of jazz rhythms and sounds, building from a live drum break into a rolling deep house monster - its infectious stuff and suggests ivan latyshev is going to be name to watch in the next months and years.

man power left his northern home and ran south of the border. this is his first offering for the esp institute. on side a, he proves that he truly is the tourist, delivering what we’re already toting as our summer anthem—a relentless hurricane drum pattern full of toms, timbales and splashes that lays the rhythmic foundation for his pacific chords and euphoric melodies–an undeniable floor-filler that invites all to dance unencumbered by the constraints of “functional” club music. with side b’s oye, man power rolls out a similarly vibrant combination of drums and rhythm, however he toughens up the aesthetic with a massive rolling acid bassline, only briefly letting up for a spot of layered marimbas and spriteful pads before culminating in an emotional finale. after spending a couple years churning out tracks for various labels around the world, man power has undoubtably shifted his narrative point-of-view and updated his sense of craft upon his induction to the esp institute. these two songs will throw a wrench in your holiday.

the rawkers ep…more than 10 years after the release of cassius first album, the duet comes out with a 6 tracks project that mustn’t have left a lot of people whove listened to it indifferent. well, if there are two people who appreciated the ep, it is jay-z & kanye west, aka the throne, who sampled the famous i <3 uso on their track why i love you, turning it into an absolute popular anthem. if the former album of the band was a tribute to adolescence, here it is more about the earliest days of ours, as the song les enfants (children) depicts it. to such an extent that the rawkers ep sounds like a gigantic playground, full of joy and happiness. were glad to repress this record and to give you an opportunity to escape through this enchanting opus, before cassius new album is released.

limited edition 7inch + album download code von headman / robi insinna, der in den letzten jahren viele remixe von classic tracks aus den 70er und 80er jahren erstellt hat. es gibt ein ganzes album als download only und diesen limitierten 7inch sampler

the sixth release on deepa & biris black crow label welcomes another new name into the fold: nico campanella has been quietly building a stellar reputations for himself over the past few years, working under a variety of aliases to explore a sound that much like deepa & biri draws deeply from technos detroit heritage as well as the propulsive dub techno of basic channel.

nice price - all tracks written and recorded by gordon sharp and matt kinnison between 2006–2011 at roi vert, okamoto (japan), 13th floor and space eko (london), southend (essex)... mastered at piethopraxis, june 2011. cut by rashad becker at dubplates & mastering, berlin, june 2011. hold everything dear is the third instalment in the new cindytalk sound which started with 2007s the crackle of my soul, and then last years up here in the clouds. its the first in the trilogy to feature musicians other than gordon sharp namely the late matt kinnison, to whom the album is dedicated. inspired by the john berger book of the same name, this latest release is whole new set of parameters which push the sound on the previous two works to an extreme point of abstraction, and in some places near silent passages and haunted melodic segments. and what a mysterious journey this ends up being with increased use of piano and found/field recordings giving all the tracks a blurry soundtrack appeal to the point where the definitions between the tracks are no longer clearly defined. it harks back to the odder parts of in this world and the wind is strong albums from the early 1990s

after putting out a string of brilliant singles and ep s in the past few years, slavaki is up with his first artist album. it s hard to believe it s taken him 7 years since the first release, to come up with the idea of releasing a full-length . no wonder, tracks have gotten time-tested, and have been carefully selected out of over 10 continuous hours of material written in the period between the year 2011 and 2015. out on artists home label elusive on limited 2x12 inch vinyl, cd , cassette and digital. this album is another peek into slavaki s ever-expanding chest of musical treasures that never seems to fail to surpris

after putting the band on the map with their first ep two years ago, the band feathered sun has grown into a life of its own. the more live sets they have played, the better they have defined their style. they are spearheading a brand of sound healing music abstractly narrative, always poetic, sometimes flirting with darkness but always perfectly produced to carry the audience into their own world. feathered sun are the collaborative experiment of nu, jo.ke, raz ohara, chris schwarzwaelder, iannis ritter and acid pauli johannes laumer. each have active and flourishing solo artist careers, albeit still have time to collaborate with one another. the six-strong collective are a close-knit troupe who are primarily based in berlin and lima, peru. live improvisation is ultimately what brought the feathered sun project to life - they are open about their laidback, impromptu approach and this is apparent throughout this ep. side a was primarily crafted in peru by chris schwarzwaelder and jo.ke with raz ohara’s mesmerising vocals. the end material was then sent to nu in berlin who crafted two tracks out of it. the ‘bulbo’ ep shows a willingness to explore different approaches within the collective and the music showcases their long-standing affiliation. it is a downtempo ep that has immaculate instrumentation, dreamy pads and brooding vocals throughout. this is intertwined with organic sounds and moody atmospheric melodies, gives the release a timeless and emotive ambience.

djeuhdjoah & lieutenant nicholson is a french composers and afro-soul singers duo. tes qui? is their first album, fruit of an intense collaboration during many years, on stage and in studio. they call their music as afropean songs, a collection of jazzy-pop melodies, afro-soul and funk arrangements.

amazing 2 monstruous tracks taken straight from the basement from one of the most original, ultimate & cult house producer : the great marcus mixx !!! all the djs were looking for those for tracks for years. it’s a fuckin’ must have & it’s on your favorite label : skylax

dead fader - john cohen is surely one of the most overlooked voices making electronic music today. his approach to making honest and emotive electronic music has pushed the boundaries in recent years and challenged so many concepts and traditions within the music industry and scenes. but also without loosing sight of a bigger picture and finding a balance between emotions, technology, politics and expression.

already three years after his third album, vitalic is back on jennifer cardini’s records label correspondant records with two original new tracks. often unclassifiable, but always efficient, vitalic shouts out and restyles his universe under many different ways. after having mixed electro music to rock, to disco and then to pop in the course of his three albums, « film noir » ep invites us to a spatial journey. unusual, unknow, fascinating, powerfull and sometimes dark , this project defines itself as a cold disco. his own and recognizable esthetic shows here two of his multiple faces : ‚film noir’ will remind absorbing universe of german sound of 90’s : a techno and slow kick, a spatial slicks and a worrying mental melody. ‚ooey’, a sort of hallucinated electro pop joined by some chorists, without forgetting lady disco despite of its new wave bass.

asher levitas is perhaps best known as part of old apparatus, the acclaimed and enigmatic london experimental outfit. over the last few years he has featured on releases for labels including deep medi, houndstooth and left blank as ‘saa’ with the singer linn carin dirdal.
‘lit harness’, his first solo album, started forming as a project in 2015 alongside the artist and writer michael crowe who worked on the live a/v show while asher created the music with vocalist marina elderton (from the ethereal psych band kull) who features on the tracks.

older and wiser almost two years on from his tabloid-smash debut on 1-800-dinosaur, mr assister winds down the tempo somewhat as the inaugural release on beam begins its reluctant dribble out of assistance hq. on the a-side, izma sits firmly within the parameters of the now infamous bongo-tsunami sound, while retaining sufficiently luscious strings to tickle any remaining hearts-on-sleeves. meanwhile, on the bleepier arland rain , things are dragged into even chuggier territories, and should 808 hi-hats seem uncharacteristically rigid, the arrival of better-late-than-never xylophone fodder ought to assist with the appeasement of the ever-ravenous tropical crowd. mastered by the eminent matt colton. magical drawings provided by nadine kolodziey.

dj spider makes his debut on radio slaves rekids imprint with four physical cuts this june. a key component in new yorks techno scene, over recent years the plan b recordings and sublevel sounds founder has graced the likes of the trilogy tapes, bleed, killekill and vanguard sound! releasing on rekids as the label celebrates 10 years, spiders ninja drive-by defines why so many hold the american stalwart in such high regard.dirt nap leads the release with syncopated percussion and a thumping low-end that takes no prisoners. tmc is a more subdued production in comparison, blending shadowy synths with an intricate drum workout. planetary disfunkshun then introduces a penetrating melody amongst robust kicks, until montag concludes the package with moody pads and an inimitable rhythm.

founded three years ago, kalakuta soul records has been delivering quality releases keeping quite a bunch of dancefloors busy all over the world. for its sixth release, the bochum based label has managed to put ist hands on three soulful jams that will shake the hell out of any encrusted hip. for this release, cary crant has put three marvellous tracks together delivering a heavy stomper on th a side while dedicating the b side to all the dancing souls that love to get lost in a huge amount of love leaving the speakers in every single minute of its two tracks.

the first r&b rec record is born from the encounter of two artists in the gloomy baltimore of the beginning of the millennium, after years in which their artistic roads proceeded in a very much parallel manner, without ever physically crossing paths, driven by their passion for analog instrumentation and the desire to find and create new rhythmics and sounds. it is in 2013 the two decide to join their forces to create their own personal vision of techno music and dance music in general. resulting in a hot and scratchy vinyl that combines dark, percussion sounds well known from detoit techno, with the sought after rhythmic of breakbeat and drum and base, of the british nineties. also packed with influences of acid-house, this record incorporates features of the so influential 80 s punk era, finally sinking it s roots in the psychedelic currents of the 70 s. the result is a brand new genre which is difficult, if not impossible to define. a unique way of defining dance music, in all its aspects, which is identified under the name of spaceship surgery techno.

these 2 guys dont need an introduction as they have earned their respect in the underground over years of quality music. what needs a proper shout is the fact that they now teamed up for this amazing 2-tracker and we are honored to release this on noir music. early support by maceo plex and adam beyer has already made some buzz in club-land for this anticipated release and here s your chance to get onboard too.

dimdj has no control over his life. machines, records and noise boxes took over years ago. this is more than confirmed by this 5-track journey from acid techno to the old-school electro and further to kuno’s dystopia, who delivers a complete acidic rework over ptn1.

jimpster s much loved eel pie island track first graced the coveted 10 years of systematic compilation from last year. now, after widespread love, label boss marc romboy has commissioned a set of remixes to give the track an extra lease of life for the coming summer months. the originals, locomotive esque, slow-mo jam is taken on first by keinemusik main-man and cocoon favourite adam port. the german brings techno and minimal sensibilities to the fore but with extra tempo and swing. a mid tempo beat drives the track as atmospheric flourishes and nuanced samples create a lighter and breezier feel. an added vocal adds a hazy dose of ethereal pleasure, as adam creates another slice of musical magic. fresh from his objektivity release, hyenah offers a version of eel pie island that brings a chiming, plonking vibe, wood block percussion and bongos, all fluctuating in a sea of tribal beats, deep house and delicious sub bass. another triumph for systematic.

• and finally make their full perc trax debut !
• features full printed jacket
• dj feedback to follow
• berlin / manchester noiseniks and finally make their full perc trax debut after first appearing on the label in 2014 when they served up a suitably screw-faced remix of drax s phosphene . now regarded as one of the most uncompromising production outfits on the european techno scene they widen their musical vision across these four tracks without leaving behind the raw aesthetic and driving energy that has characterised their music and their live performances over the last few years. from the kind of straight up 4/4 pounders that have made the closing slot at electric deluxe s awakenings events their own, to experiments with off-kilter drums and caustic noise this ep is as good a statement of and s present and future as you ll hear all year.

we are proud to present christian nielsen s debut release on noir music. noir and christian has been friends for many years and therefore we have been following the danish talent closely and waited for the perfect time and the perfect tracks to create his first release on the label. so....here it is..... “over and over” sits right in between tech and techno with those irresistible vocals that s become christian s signature. on “speeding” mr. nielsen digs a little deeper and the result is a fantastic technogroover which roots back to early detroit underground. we recommend you give in and play both.

* stunning 17 track / 4 piece clear vinyl lp - scroll down for images
* special hand made 10mm spined jacket with shrinkwrap
* 24 inch x 12 inch full colour folded double sided poster and stickers included
* founded 20 years ago, blueprint records has remained one of the true driving forces behind british techno. to celebrate this special anniversary label founder james ruskin and blueprint friends have created a compilation of brand new music to celebrate this landmark, due for release around june 2016.
these exclusive tracks are released here as the * 20 years of blueprint compilation* limited edition box-set, with a collection of four clear vinyl records as well as poster and sticker inserts

vinyl only , rarehouse is a berlin based collective, composed of artists who have dedicated themselves to their love for house music. the mission is to celebrate and spread the spirit of a rare and pure house sound.

in almost ten years of existence, throne of blood has cultivated a diverse family of musical talent spread across the americas and europe, refusing to settle into any particular sound or scene. foremost among this crew of almost-impossible-to-pigeonhole producers is dissident veteran hardway bros aka sean johnston, known to many as andrew weatheral’s partner in a love from outer space. his third ep for the label, pleasure cry, is characteristic of seans style: a modern sound with sly winks to his rich history in electronic music.

!k7 proudly present alpha the first album in 10 years from matthew dear s audion alias.
for fans of matthew dear, richie hawtin, roman flügel, rodhad, dj koze
the double vinyl release is housed in a gatefold sleeve with album-cd included.

hot off the back of the release of their debut album familiar circles - casino times unveil the second instalment of their casino edits series. nearly three years on from casino edits #1 , ct return, keeping the spirit of the series alive with two more dance-floor ready disco-cuts. whilst the celestial sounds and atmospheres that defined the first record are still present throughout, both tempos and temperatures have been raised, culminating in an energetic addition to the casino edits series.